The ship of Stratovarius (on ideology and semantics)

Preamble

Anyone who is familiar with the metal scene of Finland knows about the recent spat between Timo Tolkki and the rest of the members of Stratovarius. In a previous post, I reported the news that Stratovarius broke up; but then came a whole barrage of replies from two parties; Timo Tolkki, and the rest of Stratovarius. These recent events are much like the whole open letter affair with Nightwish and their former singer. Has Finnish heavy metal become so big, that it has taken on the mechanics and suave of modern bands, of having official fan clubs, official merchandise, PAs, photoshoots and open letters? It seems long from the harked days of underground bands playing in California who were known by their audiences bootlegging their gigs, but that’s a whole other point at hand…

The heart of Stratovarius

I can engage in a suitably philosophical discussion about the semantics and modality of ‘Stratovarius’; but I want to address a more human point.

Stratovarius is a band that, for me, and a lot of people I know, represents a mindset. It is, I thought quite clearly, until recently, a band that was in tune with a lot of the heavy metal scene in Europe; trying to come to terms with the bleakness, superficiality, conformism and fostered attitude of normative-heterogeneity, by replying either by an expression of despair [such as EToS]; fantasy; or perseverence. Stratovarius represented the most noble of these responses: perseverence, the strength to keep fighting on in a world of superficiality. How ironic, and how disturbing I find it that Stratovarius engages in this kind of dispute. Not to take any sides on the issue, but when a band that for me, represents perseverence and a way of coping with the modern world, has infighting, one kind of loses hope in the message they once represented.

Now, for a rather odd analysis of ‘Stratovarius’….

The semantics of ‘Stratovarius’

Timo Tolkki, de re, was not the original founder of the band, contrast this to Tuomas’ role in Nightwish. It is Tuomas’ baptism of the band, that makes him the essential feature of the band; the necessary condition for ‘Nightwish’ to refer is that Tuomas is in it. Can we say the same for Timo and Strato? The short answer is yes (because he is the lyrical and musical direction of the whole band since 1984); but the long answer is no he fails to fulfill the de re necessity Kripke designator.

There have been many bands (my first thought on this is the Norweigian band Mayhem) which have none of the de re original members present in their current lineup, yet the name of the band still refers. This is obviously like the philosophical problem of identity, the Ship of Theseus; if you replace every plank, is it still the same ship?

In the case of Mayhem; some of the original members have left, and then returned; much like Ozzy Osbourne in Black Sabbath (replaced by Dio, Tony Martin, etc.); however, unlike Mayhem, Black Sabbath maintained the essential feature, the conponent of Tommy Iommi; who has, rather significantly, maintained throughout the whole career of Sabbath; being the creative force behind it, despite how most people associate it with Ozzy (or, as some of the fan discourses argue, Dio, but that very fact points out the finitude of the lead singer as being core to the band).

Is it possible, further, is it legitimate, semantically, for a band to have changed its whole membership and yet still refer by its original name? What of any organisation for that instance. Is the philosophy department of Cambridge still legitimate to claim heritage of Russell, Wittgenstein and Moore, even though they have long gone?

Michael

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