On having differing musical preferences

I have an improperly empirical thesis: performers often like things different to what they are working on. I suppose it’s maybe like the barber not being able to shave their own head, or working at a food preparation factory and completely avoiding the produce made from brands one stocks for (I actually know someone like that – interesting stories he has).

I remember having a few conversations with people I know to be musicians and musical performers, who can have vastly different tastes to what they are immediately working on. Perhaps the infamous stock example is when Fenriz of Darkthrone said in an interview that he likes to listen to house music, but for the purposes of appearing as Fenriz and being in the black metal mystique, he will downplay that fact. I used to be part of a choir in which we were working on some distinctly sacred works of music, and then in the conversations afterward it was established they liked very trashy (their words not mine) music like show tunes and things from Disney soundtracks.

I often meet people who read my blog, and I suspect they are probably surprised of how little I want to talk about philosophy in certain social situations. In fact I am increasingly unwilling to talk about philosophy or music or particularly blogging-preferred topics. Preferring to be a different person within blogging and without it. Likewise I probably don’t talk enough about my involvement with the Community Garden project when I muse more about Schoenberg and Adorno, part of that is a deliberate choice, the other part is deciding my niche when it comes to blogging about things.

Performing-wise I suppose I have my own such distinctions of character and sensibility. Last week I was at this impromptu jamming session where a lot of non-english language songs were performed and it getting involved with the jam was so much fun it was more about the participation. For me it was also fun to work out the harmonies and how to do continuo style accompaniment on a melodic instrument rather than a typical ‘continuo’/accompaniment instrument. So I would say to my trumpet buddy: PEDAL POINT G MAJOR TO D MAJOR DOMINANT. HARMONISE THE MELODIC LINE PARALLEL THIRD, and so on.

I find it a lack of imagination to be interested in only one kind of music, especially in the age of genrefication where there’s a tendency to be all about a certain kind of vibe and stuck in that feeling continuously. I also think from a cultural perspective it is extremely limiting. I think it is deleterious to the genre of indie how it is increasingly and incredibly posh, for example. Diversity is beautiful, although it seems having too broad a mind offends people.

Something does seem troubling to me about how I might like playing all this 17th-19th century music where what I actually listen to on my mp3 player is a mix between video game soundtracks, black metal, metal songs of various genres that impress certain memories on me and ‘trash’. My personal ultimate test for how I like music is if I choose to put it on my tired old MP3 player. Having said that, I might write and muse about how certain pieces of music or songs might be great works, but not choose to listen to it so much. I recall in an interview with (I think) Vladimir Ashkenazy, he said that while people appreciate the greatness of Bach it is ultimately ‘boring music’ to fill a full concert! I’m inclined to agree. I listen to Glenn Gould by tracks on spotify, rarely by album!

Perhaps an culinary analogy is due here. My meat and potatoes of what I like in music I know are very often not great works of art. However I can appreciate that there are ‘finer foods’ that I may desire to partake in, but it would probably be undesirable or impossible to live on fine foods all the time, even though it may be desirable in terms of cultural capital to be seen doing so.

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